In the 60s a psychiatrist from Denver, who believed that he could capture the human thoughts on film, conducted a series of experiments using a Polaroid camera.
Dr. Jule Eisenbud and his subject Ted Serios tried to prove that psychic projection is able to appear on film.
All experimental photographs today are stored in the Special Collections of the University of Maryland. Recently, they have been digitized, and now everyone can download the results of the experiment and decide for himself whether to believe in thoughtography.
Curator and organizer of an exhibition of photographs in 2011 at the University of Maryland Emily Hauver said that these pictures are kind of ghost photos of the 19th century when the ghosts appeared in the picture thanks to multiple exposure or layering images over the main photo:
Using photography as an intermediary between our world and the beyond has a long history. The case of Ted Serios is unique because a Polaroid camera was used, which means that all the photos were created instantly, eliminating the possibility of cheating by using technology to print photos in a darkened room.
Ted Serios and Dr. Eisenbud worked on the experiment for three years. Holding a small piece of paper folded into a tube in front of the camera, Serios directed the camera lens to his forehead. Exposure was made on his signal – a verbal command or snap of the fingers.
The first pictures allegedly depict a distant object or place (see the photos above). The second group of pictures, so-called “normals“, depicts what anyone expects to see in the photo – Ted’s face and shoulders, as well as some of the furniture behind him. All other photos by coincidence were completely black or completely white.
Ted claimed that during the shooting, he did not see any images in his head. However, it was more akin to a portal through which this information or images passed.
Subsequently, all the results are reflected in Eisenbud’s book The World of Ted Serios: “thoughtographic” studies of an extraordinary mind, which was widely recognized, but at the same time gave rise to a large number of skeptics who did not share the psychiatrist’s views on thoughtography, despite the fact that Eisenbud made considerable efforts to account for variables that may indicate fraud.
Besides the fact that these pictures are of great interest to parapsychology, their role in the history of art and the unconscious is also clearly remarkable. Thus, one of the approaches was to try to create an image by penetrating into the subconscious. Ted worked in the same vein: the images arose from his subconscious, or at least passed through it.
Supernatural or not, these pictures with their strange obscure images that appear as figures in the mist, still have something hypnotic.
Besides the paranormal pictures and the “normals”, there is a 16 mm film with the experimental session in the archives of the University. As Emily Hauver said, “if you do not believe in the paranormal, these and other materials rather convincingly argue that Ted was not engaged in a hoax and that his work is commendable.”
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